Inevitably, however, and despite an ongoing concerted effort to cut back on the number of secondhand books I buy, I've since acquired a small pile of books bearing wrappers not by Biro or McLoughlin but every bit as good as their stuff, not to mention that of the other artists featured in the gallery. Which begs the question: what to do with those further wrappers? I considered setting up another general dust jacket page – Beautiful British Book Jacket Design Part II, if you will – but that would only be an encouragement to start buying loads of books again, something I'm keen to avoid (for reasons which will become clear quite soon). Plus, there's something to be said for having all of those covers together in one place, especially since the page has by itself clocked up over 10,000 hits.
Therefore, I've decided to add a few more covers to the gallery. Not too many: just a handful – the very best wrappers from my recent acquisitions. Beginning with two books, both published by Michael Joseph in 1955, both boasting jackets designed by children's book author and illustrator Brian Wildsmith.
Fellow Passenger by Geoffrey Household, and White August by John Boland. Given that Wildsmith graduated from The Slade in 1952 and did his National Service shortly thereafter, these two covers must represent some of his earliest professional work. And jolly lovely they are too – splendid examples of the duotone style prevalent at the time, and fine additions to the Beautiful British Book Jackets page, marking Wildsmith's debut in the gallery.
Both books are eBay wins; Fellow Passenger was Household's seventh novel for adults (following 1951's A Time to Kill) – and one of his personal favourites – White August Boland's first. I've blogged about Household many times before, most recently in this post on his most famous novel, Rogue Male, but Boland is a new name to Existential Ennui. His best-known work is probably this:
The League of Gentlemen, first published by T. V. Boardman in 1958 but seen here in its 1960 Pan paperback incarnation, complete with cover art by Sam Peffer. Personally, I was more aware of the film adaptation of the same year – blurbed on the back cover of the Pan edition – than I was of the novel; I think I must have caught it on telly at some point. And that Peff cover's rather good, isn't it? Hmm. Maybe I should set up a permanent paperback cover art page after all...
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