Cover Reveal: The DC Encyclopedia New Edition, Coauthored by Nick Jones, Out Now!

Interrupting my series of idiosyncratic posts on Hot Toys, I noticed over the festive period there was a cover up on Amazon (and other online retailers) for my next book, namely the latest edition of The DC Encyclopedia. This is the third edition of the book I've cowritten (following the 2016 All-New Edition and the 2021 New Edition), but this time I also acted as consultant, contributed some picture research and helped out on project management (mostly marshalling the other authors), so I'm (almost) literally all over this one. It's out in March, so I'll endeavour to post something nearer the time about my contributions and those of my excellent coauthors, editors and designers, but for now I thought showcasing Wonder Woman and Dark Crisis artist Daniel Sampere's splendid cover composition, arranged around the restored classic DC logo, would be a fine way to kick off 2026. Happy new year!

Update 6/3/26: Well The DC Encyclopedia is now out, and true to form I haven't found the time to do another post on it. So instead I thought I'd post Daniel Sampere's full wraparound cover plus a few interior pages. The Harley Quinn entry above is one that I wrote the update for, along with the entries for Aquaman (both Arthur Curry and Jackson Hyde), Flash (Wally West), Lobo, Arsenal, Raven and well over a hundred others, plus countless other entries where as consultant I was required to do some additional writing. Besides myself, the authors this time numbered Melanie Scott, Matthew Manning, Dan Brooks and Scott Beatty, while Martin Eden and Kate Lloyd handled the editing, and Amazing15 designed and oversaw the whole shebang.

I haven't seen a printed copy yet, but I'll be up in London later today, so hopefully I'll find some copies out in the wild, and may well update this post again then.

A History of Hot Toys, Part 4: The Dark Knight Batman Begins Original Costume (2008)

In summer 2008, as The Dark Knight, Christopher Nolan's sequel to 2005's Batman Begins, sent box office records toppling on its way to becoming the biggest film of the year, Hot Toys released the first of their licensed tie-in high-end 1/6th-scale action figures. For Batman Begins, Howard Chan's company, at that point still in the early stages of its Movie Masterpiece Series, had issued just one 1/6th-scale figure: MMS 13 Batman Begins – Batman, released in summer 2006, over a year after the movie's cinema debut. For The Dark Knight, the now firmly established and increasingly feted Hot Toys had over a dozen releases lined up, from figures based on Christian Bale/Bruce Wayne's new Batsuit and Heath Ledger's Joker to a 1/6th-scale Batmobile/Tumbler and Bat-Pod. 

First out of the blocks, though, was a new take on the Batsuit from Batman Begins and the opening act of The Dark Knight: Hot Toys MMS 67 The Dark Knight (Original Costume).

As fine a figure as Hot Toys' 2006 take on the Batman Begins suit had been, certainly for the time, the revamped version was in a different league. Hot Toys' first attempt had featured an outfit comprising segmented rubber panels affixed to rubberised bodysuit, while the masked head sculpt, although nicely crafted and painted, wasn't as lifelike or evocative of a cowled Christian Bale as one might have wished. For The Dark Knight, the Begins Batsuit was realised as moulded, sculpted, matte rubber, more closely approximating the look of the adapted "Nomex survival suit" of the films, while the masked head sculpt was a remarkably realistic representation of Bale in a cowl.

By this juncture, Howard Chan's creative team had been bolstered by co-producer and lead painter JC Hong and sculptor Yulli, whose exceptional work could be seen not just in the cowled head sculpt of MMS 67, but in the unmasked head sculpt that came as part of the package. The year before, Hot Toys had released a military figure, USMC Three Infantry Battalions in Fallujah M29 Saw Gunner, which sported a head sculpt clearly inspired by Christian Bale, but MMS 67 was better still.

Hong and Yulli would achieve an even more accurate Bale likeness with the unmasked head sculpt of Hot Toys' take on the new, more flexible "hardened Kevlar plates over titanium-dipped tri-weave fibre" Batsuit unveiled in The Dark Knight, MMS 71, and produce yet more lifelike portraits of Heath Ledger's Joker – MMS 68, and especially the extraordinary MMS 79, alias the Bank Robber Joker, still one of Yulli's favourites – plus a fine attempt at Aaron Eckhart's Harvey Dent/Two-Face, MMS 81. 

Over the ensuing two decades, Hot Toys would revisit and revamp all of those initial Dark Knight figures multiple times, not just in the Movie Masterpiece Series but as part of the Deluxe (DX) Series, often improving on the originals. But despite at least two further 1/6th-scale attempts at the Begins Batsuit, for my money MMS 67 remains the high-water mark for that particular suit. While the unmasked head sculpt has since been surpassed, the cowled sculpt stands as a fine piece of craftsmanship, so much so that Hot Toys have reused it several times. The Batsuit boasts a movie-accurate matte finish and shows no signs of deterioration even after nearly 20 years, and unlike subsequent Hot Toys takes on the Begins Batsuit, the accessories include the Pneumatic Mangler, used by Batman to apprehend Scarecrow in The Dark Knight. 

For a Dark Knight Trilogy devotee like myself – I still vividly recall seeing Batman Begins on the big screen back in 2005 when I was working at Titan Books and we were releasing tie-in graphic novels and art books, and I got to write about all three films in my 2024/2025 book DC Cinematic Universe – MMS 67 The Dark Knight (Original Costume) stands as a figure to cherish: a fairly faithful 1/6th-scale recreation of the first Bale Batsuit, and a relatively scarce item to boot (unlike MMS 71 Batman The Dark Knight Version, which was distributed in the US and UK by Diamond, MMS 67 wasn't distributed in the West).

The Dark Knight may have been the biggest film of 2008, but that year also saw the release of another significant comic book movie, one that marked the start of not just a soon-to-be all-conquering cinematic universe, but an accompanying line of figures from Hot Toys...

A History of Hot Toys, Part 3: Batman Begins (2005/2006)

After five years of making meticulously crafted, tailored and accessorised 1/6th-scale military action figures, in 2005 Hong Kong company Hot Toys made a return to high-end movie figures. Back at the turn of the millennium the then-neophyte outfit had released three 1/6th-scale action figures based on film stars and directors, the Famous Type Figure. Those had been unofficial, however. This time, Hot Toys' movie figures would be fully licensed.

Ever since Hot Toys had released their first military figure in 2000 – the U.S. Air Force Combat Aircrew Pilot, based on Tom Cruise in 1986's Top Gun – company founder (and former TV screenwriter) Howard Chan had believed there was scope for a line of high-end figures based on movie properties. Convincing the Hollywood studios he was right proved to be another matter though. "That was a huge hurdle," Chan told the South China Morning Post in 2015. "We were trying to get licenses through Hong Kong agents, and we said we wanted to make action figures. But the agents said, 'What are action figures?'" Chan had little luck getting the agents to understand the kind of adult collectibles market he had in mind, until he went through a Japanese agent instead and landed licenses to create upscale figures based on James Cameron's Terminator (1984) and Aliens (1986). The Movie Masterpiece Series was born.

Released towards the tail end of 2005, the initial wave of 1/6th-scale Movie Masterpiece action figures – Michael Biehn as Kyle Reese in Terminator (MMS 01), a battle-damaged T-800 from Terminator (MMS 02) and Michael Biehn again as Corporal Hicks in Aliens (MMS 03) – bore the benefits of the years of hard craft Hot Toys' artisans had been putting in on the company's military figures, refining articulation, outfitting, sculpting and painting. (As noted in the previous post in this series, Hot Toys had been taking inspiration for the head sculpt likenesses of their military figures from film stars and other famous folk, but in 2004 they'd also made a tentative return to movie figures by collaborating with artist and figure designer Eric So on a 12-inch James Dean figure.) By the first half of the following year, the Movie Masterpiece line had expanded to include Rambo: First Blood Part II (1985), Robocop (1987) and Alien vs. Predator (2004) figures. Then, in summer 2006, Hot Toys released an action figure based on an even bigger blockbuster from 2005: Christopher Nolan's Christian Bale-starring Batman Begins.

The previous year Hot Toys had secured the rights to produce smaller scale Batman Begins blind box diorama snap kits, with the boxes containing variously a Batman bust, a small action figure, a Batmobile/Tumbler and other snap-together models.

Now, over a year on from the release of the film, Hot Toys unveiled their first ever 1/6th-scale high-end Batman figure, MMS 13.

Limited to just 1100 pieces, each figure came accompanied by a hand-numbered certificate of authenticity, and featured several interchangeable hands, Grapnel Gun, Batarang and mini-mine accessories, and an epically voluminous cape. 

For the time it was an impressive piece, as contemporaneous reviewer Anti-Hero pointed out on Michael Crawford's Captain Toy site, and even today it stands up as an evocative, cleverly engineered and costumed representation of Christin Bale's Batman Begins suit. 

Just two years later, however, Hot Toys would take a second crack at the Batman Begins costume, to coincide with the release of Christopher Nolan and co.'s sequel The Dark Knight – and this time the results would be even more impressive...

The DC Heroes & Villains Collection Extension Issues 101 to 110

I've blogged about the 20-volume extension to the DC Heroes & Villains Collection a couple of times now, and posted repeatedly in the DC Heroes & Villains Collection Facebook group, but those posts have been somewhat piecemeal in nature, and not everyone has the time, patience or, frankly, interest in putting the various pieces together. So I thought a straightforward rundown of the first ten releases in the extension might be of more use, along with a little additional background.

First out of the blocks, and already in some readers' clammy hands, are issues 101 and 102, namely Batman: Universe and Justice League vs. Suicide Squad, both of which I wrote about in this post, along with issues 103 and 104:

The Joker: The Series and Batman: Ten Nights of the Beast, which will be published later this month and early in the new year. Having already blogged about all four of the initial volumes in the extension, I shan't dwell on them here... except to say that as magnificent as Batman: Universe and Justice League vs. Suicide Squad are – and as huge a book as the latter of those two is, at nearly 300 pages – The Joker: The Series and Batman: Ten Nights of the Beast are even more special because they're unique to the DC Heroes & Villains Collection: bespoke volumes collecting, respectively, all of the mid-1970s The Joker series – including the 'lost' 10th issue – plus two key Denny O'Neil, Neal Adams and Irv Novick issues of Batman, and the first half of Jim Starlin's late-1980s Batman run, including the classic Ten Nights of the Beast. On top of which, both books are chock-full of bonus features.

Speaking of the Joker and bespoke volumes – and indeed big extents – later in January there's issue 106, The Joker: Vengeance. Collecting all 21 chapters of the lead storyline from James Tynion IV, Guillem March and co.'s 2021–2022 15-issue The Joker series – for my money one of the best extended comics storylines of the last five years – it's one long twisty-turny suspense thriller in one unique 328-page graphic novel. Just ahead of that book there's issue 105, the visually spectacular The Man of Steel, featuring showstopping art by, among others, Jim Lee, Jason Fabok, Steve Rude, Ryan Sook, Kevin Maguire and Adam Hughes, and then in February we have releases 107 and 108:

Batman: The Cult and Justice Society Returns! I vividly recall reading both of these on original publication, in 1988 and 1999 respectively, which is true of a good many of the comics in the DC Heroes & Villains Collection, and an indication of how personal the collection is to me (although personal preference obviously wasn't the only criteria for the selection of the stories). Published a couple of years after Frank Miller's Batman: The Dark Knight Returns, Jim Starlin and Bernie Wrightson's The Cult was only the second Batman miniseries to be published in the then-relatively new upmarket Prestige Format, and thus felt like a very different kind of Batman comic when I picked it up off the shelves of Forbidden Planet on Denmark Street: one seemingly set in current continuity, but bearing the influence of the dystopian Dark Knight Returns, as Starlin readily admitted. 

The Cult was a high-profile project for DC at the time, whereas the Justice Society Returns! event flew very much under the radar in 1999, yet was a revelation for me: a terrific introduction to the Justice Society of America (with whom I was only passingly familiar at the time) ahead of the JSA series which launched in its wake, by the architects of that series, James Robinson and David S. Goyer, plus the likes of Mark Waid, Geoff Johns, Ron Marz, Chuck Dixon, Michael Lark, Eduardo Barreto, Peter Snejbjerg, Stephen Sadowski, Chris Weston and Russ Heath. Moreover, the format of the event – two issues of a revived All Star Comics bookending seven resurrected Golden Age titles, with the story reflecting the way JSA stories of the past saw the team splitting up into smaller units – was a really nice idea.

With both Batman: The Cult and Batman: Ten Nights of the Beast in the extension, it's only fitting that the remainder of Jim Starlin's stint as Batman writer be included too, which it will be in March, in the shape of issue 109, Batman: A Death in the Family. Collecting not just that notorious storyline but the issues either side of it, it's another bespoke volume and boasts some terrific bonus content, including Jim Aparo's original art pages for the alternate outcome of Batman #428 alongside their coloured and lettered counterparts, which were only belatedly published this year. A 400-page follow-up volume, Batman: Under the Red Hood, will be published later next year – I'll blog about that book nearer the time – but before then, and rounding out the initial ten releases in the extension, we have issue 110, Supergirl: Woman of Tomorrow. Originally published from 2021–2022 as an eight-issue miniseries, Tom King and Bilquis Evely's celebrated sci-fi fable is a story that I suspect a lot of people will be interested in reading, due to the Craig Gillespie/Milly Alcock movie currently in pre-production.

Inside the DC Heroes & Villains Collection Graphic Novel Extension

As promised in my previous post about the 20-volume extension to the DC Heroes & Villains Collection – which, lest we forget (and I mean how could we when I'm forever banging on about it), I'm the editor of – I thought I'd delve a little deeper into the extension than the four volumes thus far announced – or rather five, as subscribers have also been told about the 400-page Batman: Under the Red Hood. That volume's not due to be published until next spring, but it's worth spending a moment on it now because it might help illuminate how both the extension and the collection as a whole developed. 

Way back in the mists of time, or more accurately the tail end of 2019, when I first noted down some thoughts on which stories we could potentially include in the collection, Judd Winick, Doug Mahnke and co.'s Red Hood storyline from Batman was one of those on my initial list. It's a run of comics that I loved when it was first published in the mid-2000s, a twisty-turny Bat-thriller that audaciously brought back a character who had been killed off in the late-1980s, yet kept readers guessing as to the true identity of that character (much as Ed Brubaker and Steve Epting were doing around the same time with their Winter Soldier storyline in Captain America; truly the mid-2000s were a great time to be reading superhero comics).

With a licensed partwork like the DC Heroes & Villains Collection, there's often a bit of give and take in terms of what can and can't be included, and for whatever reason, possibly the storyline's length (I can't actually remember at this point), Under the Red Hood didn't make it onto the final list of 100 volumes. But in common with some other titles that fell by the wayside, I never forgot about it – you should see my various voluminous docs of notes and ideas – and promised myself that should the collection ever be extended I'd revisit it, even though its length would likely mean splitting it across two volumes. 

Incidentally, on the subject of the extension, there's an assumption amongst those familiar with partwork graphic novel collections that they always get extended past their initial run, but I had every reason to believe that the DC Heroes & Villains Collection would end at 100 volumes. Its extension was a genuine surprise to me, albeit a pleasant one, because it represented an opportunity to revisit previously rejected volumes and include new ones.

As discussions about the extension between myself, Hachette and DC developed – over a very short space of time I should add, as confirmation of the extension came quite late in the day – it became clear that not only would we be able to revisit stories that had fallen by the wayside and add in stories only relatively recently published, but include stories that I didn't think we'd ever get agreement on – and furthermore have a number of volumes with greater page counts, including one 400-page one. 

Well hello, Batman: Under the Red Hood.

Once Under the Red Hood came into play – and after a different story dropped out of the extension – I started thinking about another title I intended to include: a volume collecting the first half of Jim Starlin's late-1980s Batman run, including the classic Ten Nights of the Beast. If those comics were on the table alongside the Red Hood storyline, wouldn't it make sense to also include the second half of Starlin's run, in particular the notorious A Death in the Family...?

I shan't spoil the events of those stories for anyone who hasn't read then, but anyone familiar with them will understand the significance of Starlin and Winick's respective Batman runs appearing in sequence in the collection's extension. And the icing on the cake: I'd already determined to try and include Jim Starlin's other significant Bat-story, the 1988 Prestige Format miniseries Batman: The Cult – with art by the great Bernie Wrightson – and so the extension will feature all of the Bat-books written by Starlin, brought together in a unique fashion.

Batman: Ten Night of the Beast has already been announced as the fourth release in the extension, published at the start of 2025, while Batman: The Cult, Batman: A Death in the Family and Batman: Under the Red Hood will be arriving in February, March and April – and of course will be stuffed with extras and bonus content. Before those, however, there are two other volumes set for a January release:

The Man of Steel, which collects the start of Ultimate Spider-Man co-creator Brian Michael Bendis's Superman run from 2018 and features spectacular art by Jim Lee, José Luis García-López, Ivan Reis, Jason Fabok, Evan "Doc" Shaner, Steve Rude, Ryan Sook, Kevin Maguire and Adam Hughes;

and The Joker: Vengeance, which collects the entire 21-chapter lead story from James Tynion IV, Guillem March and co.'s 2021–2022 The Joker series: to my mind one of the most gripping comics storylines of the past five years, in one unique 300-plus-page volume.

As for the other titles to be released early next year, not to mention the remainder of the DC Heroes & Villains Collection extension... more anon.