I suppose really this post should be titled '2017: Science Fiction Odyssey Six' or something, given that besides two prior similarly-titled posts on my continuing science fiction book collecting odyssey, '2017: A Science Fiction Odyssey' and '2017: Odyssey to... Bookshops in Worthing, Leigh-on-Sea and Tunbridge Wells', I've done SF-book-collecting-odyssey posts centring on the Isle of Wight, Brighton and the Lewes Book Fair. But Arthur C. Clarke only wrote four books in his series – I've been riffing on the titles of Clarke's 'Space Odyssey' novels, you see – and I'd already ballsed up the numbering by not making the Isle of Wight post the second part of the odyssey, so '2017: Science Fiction Odyssey Three' it is.
And the odyssey this time takes in Littlehampton, Worthing (again), Brighton (again), Tonbridge and Sydenham, all of which I've trekked to in search of secondhand SF over the past month or so. A warning: anyone expecting picturesque (unlikely in the cases of Worthing and Sydenham I know, but anyway) shots of those far-flung locales is likely to be sorely disappointed; as in previous odyssey posts, this one will largely consist of photographs of my hand holding books outside – and mostly obscuring, helpfully – secondhand bookshops, so depending on your mileage for partially obscured secondhand bookshops/books/hands, you may want to stop reading now.
My first stop on this leg of the odyssey was the coastal town of Littlehampton, about an hour from Lewes (where I live) by car or indeed by train, which was how I travelled on this occasion. I ventured there drawn by the Fireside Bookshop, which relocated to Littlehampton from the Lake District a couple of years ago and which I'd been meaning to visit ever since I learned of that relocation. Situated in a small arcade at the far end of the high street from the train station, it's an attractive shop with a diverse stock arranged around one large and one smaller room, but though its (largely paperback) fiction section in the main room stretches the length of its front windows, when I visited there wasn't much in the way of science fiction on offer. However, the owner had just bought in an SF collection, and although he hadn't yet catalogued it all, he did have a few bits behind the counter. After a look through the two small proffered piles I selected this:
A pristine first edition of Greg Bear's alien invasion/end of the world epic The Forge of God, published in hardback by Gollancz in 1987, dust jacket illustration by John Harris. That'll do nicely.
Heading back towards Lewes I stopped off at Worthing in order to have another look for SF in Badger's Books. The box of SF paperbacks I found before was still there, and this time I plucked from it three paperback firsts of early novels by Ian Watson – The Martian Inca (Granada/Panther, 1978, cover illustration by Peter Gudynas), Alien Embassy (Granada/Panther, 1979) and Miracle Visitors (Granada/Panther, 1980) – and two paperback firsts of novels by Bob Shaw: Ground Zero Man (Corgi, 1976) and The Ceres Solution (Granada, 1983). However, as I was paying for those, I spied in the shelf of signed books running high up along one wall in the first room a Peter F. Hamilton book, which on closer inspection turned out to be this:
A copy of the signed, limited, numbered, slipcased edition of The Temporal Void, published by Macmillan in 2008, dust jacket and box illustration by Jim Burns. The second in Hamilton's Void Trilogy, it's the sequel to 2007's The Dreaming Void, a first edition of which I'd found in the Lewes Book Centre not long before. Splendid.
Living in Lewes as I do, it's not unusual for me to buy books in nearby Brighton; but it is unusual for me to take a picture of whichever books I've bought outside whichever bookshop I've bought them in – which is precisely what I did one sunny Saturday early in September (when I was ostensibly in Brighton for my friend – and Brit comics/dinosaur art superstar – Steve White's stag do) at Colin Page Antiquarian Books (which, sadly, will be closing down quite soon, passing trade apparently not being enough to justify the cost of keeping a shop in the centre of Brighton) after buying some SF paperbacks from the table outside the shop, so I figured I might as well include that picture in this post. On the top is a 1982 New English Library first paperback edition of Search for the Sun!, the first novel in Colin Kapp's Cageworld series, cover illustration by Gerald Grace; then a 1979 Hamlyn paperback first of Healer, the debut novel by F. Paul Wilson (who recently wrote the foreword to a book I project edited, The Art of the Pulps); and a 1969 Coronet paperback first of SF anthology Seven Trips Through Time and Space, edited by Groff Conklin and featuring stories by among others Larry Niven and Cordwainer Smith.
While Brighton is for me a frequent destination, Tonbridge, in Kent, about an hour's drive north from Lewes, isn't (I've probably been there a handful of times, one of which I only have a dim recollection of as it involved drunken boating on the Medway with my friend Mike). But on a whim I motored there in order to have a mooch around the excellently-named Mr. Books, which I'd been meaning to check out for a while, and especially so since it reopened under new management in August. A bijou one-room split-level affair, the shop's hardback fiction section up the back didn't hold anything of interest for me, but the paperback fiction section down the front, with its shelf of film tie-ins, was another matter entirely:
On the top there is a first edition/first printing of Michael Crichton's original Westworld screenplay, published straight to paperback by Bantam in 1974. Quite a rare book – especially so in the UK – it includes 32 pages of stills and behind-the-scenes shots and an enlightening essay by Crichton about the tribulations of making the film, worth the price of admission alone – which in my case was three quid, significantly less than first printings usually go for.
Underneath that is a 1947 first Penguin paperback edition of Graham Greene's travelogue The Lawless Roads (I do still buy non-SF books, y'know); a 1978 Paradise Press paperback first of Bob Balaban's making-of memoir Close Encounters of the Third Kind Diary – another rare book, later reissued by Titan as Spielberg, Truffaut and Me (which is the edition I read it in when I worked at Titan); a 1950 Cherry Tree Books paperback first of Edward Woodward's Dead Man's Plaything – an incredibly rare book (there's not a single copy for sale online) which I bought because I wondered whether the author might be the Edward Woodward, who would have been 20 when it was published; a 1970 Pan first paperback edition of Kingsley 'Robert Markham' Amis' Bond novel Colonel Sun; a 2004 Gollancz first paperback printing of Alastair Reynolds' Absolution Gap, the final part of his central Revelation Space universe trilogy and, weirdly, the one book I was hoping I might find when I decided to make the journey to Tonbridge (and lo and behold, serendipitously, there it was, hidden behind some other SF paperbacks, almost as if it was waiting for me...); and a 1993 HarperCollins first paperback printing of Kim Stanley Robinson's Red Mars.
Not a bad haul. But Tonbridge wasn't done with me yet, because on the way back to the car I had a look in the local Oxfam Books and emerged with a 1980 Orbit/Futura paperback first of Larry Niven's short story collection Convergent Series, cover illustration by Peter Jones; a 2008 Gollancz paperback of Greg Egan's Diaspora; and a 2002 US Baen hardback first edition/fist printing of Andre Norton's Warlock, which collects the three Forerunner novels Storm over Warlock (1960), Ordeal in Otherwhere (1964) and Forerunner Foray (1973).
Lastly on this leg of the odyssey, Sydenham, and the Kirkdale Bookshop, which I swung by one Sunday when I was up at my folks' for the weekend (they live in nearby Beckenham). A browse through the first edition bookcases and (mostly paperback) SF section in the secondhand basement produced a 1962 Corgi paperback first of Planet of the Dreamers (alias Wine of the Dreamers), the first SF novel by crime writer John D. MacDonald, cover art by Josh Kirby; a 1976 Orbit paperback of Larry Niven's Protector; a 1981 Orbit paperback of Jerry Pournelle's Future History; and a 1967 Hodder hardback first of Edmund Cooper's A Far Sunset – a scarce edition that one, especially so in its jacket.
The odyssey, inevitably, continues...
NB: Linked in this week's Friday's Forgotten Books roundup.