Review: The Eliminator by Andrew York (Christopher Nicole); Hutchinson, 1966 / Top Notch Thrillers, 2011

On to the second of two posts on Guernsey-based author Christopher Nicole's pseudonymous series of espionage novels starring a state-sanctioned assassin, written under the nom de plume "Andrew York" (one of many Nicole aliases). And having posted a brief introduction to Nicole and a glorious gallery of first edition fillies, today I turn my attention to the first instalment in the nine-book series: The Eliminator.

Originally published in hardback in the UK by Hutchinson in 1966, The Eliminator introduces Jonas Wilde, Great Britain's state executioner. When we first meet Wilde he's on assignment in Barbados, in disguise as tourist Charles Vane, his target a wealthy businessman. Wilde is rarely given reasons for the killings he carries out; he merely takes it on trust that the individuals he assassinates (more than twenty over the course of his career) are deserving of elimination. So when, having completed his Barbados assignation, Wilde is directed by his boss, Antony Canning, to fix his sights on a scientist named Stalitz, Wilde's only reservation is that the killing has to take place in the UK.

Wilde, you see, usually operates overseas, facilitated by what's known as The Route – essentially a cover story, whereby Wilde takes a yachting holiday in the English Channel two or three times a year, stopping in at the small island of Guernsey, which he uses as a back door in and out of Britain, assisted by a small cadre of former state assassins. But Wilde is beginning to question his role as The Eliminator; his last few missions have left him uneasy, and this latest one is equally troubling. And when, having inveigled himself into the west country mansion where Stalitz is staying, the mission goes disastrously awry, Wilde discovers that everything he's been led to believe is wrong...

The Eliminator is literally a book of two halves: the first half, titled "The Assassin", details Wilde's life, his associates, how The Route works, and two of his missions; the second half, titled "The Avenger", then yanks the rug out from under Wilde's feet in spectacular fashion, sending him on a hunt for the man who has betrayed both him and his country. Both parts have their merits – the sequence in part one where Wilde gains the trust of Rhoda Gooderich, the housekeeper at the country estate, is especially delicious – but it's in part two that the tension really escalates, climaxing with a neat, unexpected twist.

Wilde is a fascinating creation: urbane, sophisticated, ruthless, but also oddly vulnerable. His role as executioner would, you might think, require emotional detachment on his part, but perversely Wilde has to work himself up into a righteous rage in order to complete his deadly assignments. Nicole/York is strong on location as well as characterization: I've been to Guernsey myself a few times, and of course Nicole lives there, so his depiction of Saint Peter Port and the surrounding area is spot on. (I also got a jolt of recognition when, in an aside, it's revealed that Wilde's Charles Vane alias has an equally fictional sister in Beckenham – the suburban town where I grew up.)

But the abiding impression one is left with is how elegantly written The Eliminator is – which is why it's so surprising that the Jonas Wilde series has slipped into semi-obscurity. It's something that John at Pretty Sinister Books remarked upon in his recent review, and hopefully something that will be addressed now that Mike Ripley's Top Notch Thrillers imprint is reviving the series. Certainly The Eliminator is a cut above the more run-of-the-mill James Bond-inspired sixties spy boom dross – I couldn't help thinking whilst reading it that, like the Bond novels, it would have made an excellent film – and I'll definitely be returning to Wilde's world before too long.

(UPDATE 1: As John from Pretty Sinister Books has now pointed out in the comments below, the book was made into a film – read his post on it here.)

(UPDATE 2: Mike Ripley has since drawn my attention to this article on the website of Ostara Publishing, Top Notch Thrillers' parent publisher – the article originally appeared in Crime Time – outlining the strange set of coincidences surrounding the reissuing of The Eliminator, not least of which being that Christopher Nicole's yacht, Rose of Arden – the real-life equivalent of Jonas Wilde's yacht, Regina A – wound up in the ownership of Ostara's founder, Andrew Cocks, and consequently can be seen on the cover of the Top Notch Thrillers edition!)

(UPDATE 3: I've since conducted an interview with Christopher Nicole, which explores the Jonas Wilde books and Nicole's wider literary career.) 

And speaking of Bond-inspired espionage, I'll be staying with the 1960s spy fiction for my next run of posts – except the star of this next series actually predates 007. Ahead of that, though: those Tinker Tailor Soldier Spy competition winners revealed...

The Eliminator / Jonas Wilde Spy Novel Series by Andrew York (Christopher Nicole): Introduction, Bibliography and First Edition Cover Gallery

Well the entries for Friday's Tinker Tailor Soldier Spy competition have been trickling in at a steady pace; don't forget you have until midnight EST on Thursday to be in with a chance of bagging that movie tie-in swag, and that the two winners will be announced this Friday. (NB: competition only open to US addressees.) Ahead of that, though, let's return to my series of posts on spy fiction series, with a series of novels starring a state-sanctioned assassin...

I actually have Pretty Sinister Books blog maestro John to thank for bringing this particular (decidedly obscure) spy series to my attention; back in August of last year John posted a review of the first book in the series, 1966's The Eliminator, which had been reissued by Mike Ripley's Top Notch Thriller imprint. (John has since also reviewed the second book, 1967's The Co-ordinator, while Top Notch have gone on to publish the third and fourth.) Written by British author Andrew York, The Eliminator was followed by eight sequels over the next decade, all of them featuring the suave, sophisticated killer Jonas Wilde – the United Kingdom's state executioner.

But the Jonas Wilde books weren't the only series of novels created by York. For not only did York pen four novels starring West Indies police commissioner Colonel James Munroe Tallant (1977's Tallant for Trouble et al) and a trio of books for younger readers starring British intelligence operative Jonathan Anders (1969's The Doom Fisherman, etc.) – plus a couple of standalone works – but under various other guises he also wrote something like 200 books besides, many of those series as well. "Andrew York", you see, was just one of a bewildering array of aliases used by Christopher Nicole, a Guernsey-based author who utilised pen names like Caroline Gray, Alan Savage, Alison York and around ten others to write thrillers, historical novels and non-fiction. (In a neat illustration of the befuddling nature of Nicole's bibliography, in the States the three Andrew York/Jonathan Anders books were published concurrently with the UK editions but under Nicole's real name, and with different titles – Operation Destruct, Operation Manhunt and Operation Neptune.)

There's rather a lot to explore with Mr. Nicole – who I believe is still writing – and I suspect I'll be digging further into his Byzantine backlist in the future. For now, though, let's concentrate on the Jonas Wilde books. I'll be reviewing the first novel in the series, The Eliminator, in the next post (and to prepare yourselves you can of course read Pretty Sinister Books' thoughts on both that and its sequel). But ahead of that, let's have a full Jonas Wilde bibliography-cum-cover gallery. All of the Wilde novels were initially published in hardback by Hutchinson in the UK, and while there's not a huge demand for first editions, some of the books have become remarkably elusive – so much so that I'm still missing two of them. I'll fill in the gaps as and when I manage to get my hands on the two absent volumes (although I have found a front cover image for one of them), but for now – and, to my knowledge, for the first time anywhere – feast your eyes on these first edition fillies (er, plus what seems to be an upturned wheelchair)...

(UPDATE: I've since conducted an interview with Christopher Nicole, which explores the Jonas Wilde books and Nicole's wider literary career.)

Andrew York / Jonas Wilde Illustrated Bibliography

1. The Eliminator (Hutchinson, 1966): dustjacket design by Michael Brett; front cover photograph by George Coral; author photograph by Mark Gerson

. . . . . . . . . .

2. The Co-ordinator (Hutchinson, 1967): front cover photograph by Ivor Keenman

 . . . . . . . . . . 

3. The Predator (Hutchinson, 1968): front cover photograph by George Coral

 . . . . . . . . . .

4. The Deviator (Hutchinson, 1969): jacket ripped on corner, but looks to be front cover photograph by George Coral again

. . . . . . . . . .

5. The Dominator (Hutchinson, 1969): front cover photograph by George Coral

. . . . . . . . . . 

6. The Infiltrator (Hutchinson, 1971): dustjacket design by Keith Inman

. . . . . . . . . . 

7. The Expurgator (Hutchinson, 1972): dustjacket design by Michael Bramman

 . . . . . . . . . .  

8. The Captivator (Hutchinson, 1974)

. . . . . . . . . .  

9. The Fascinator (Hutchinson, 1975): dustjacket photograph by Chris Parker

Competition: Win a Tinker Tailor Soldier Spy Movie Tie-in Book, T-Shirt, and More!

NB: COMPETITION NOW CLOSED

As promised on Tuesday and Thursday, to round off the first working week of the new year I've something rather special for you this fine Friday – something I've never attempted on Existential Ennui before: a competition! Yes, to mark the general release in the US today of Tomas Alfredson's magnificent Tinker Tailor Soldier Spy movie – adapted from John le Carré's 1974 spy novel classic – I'm offering two America-based readers the chance to win a bunch of tie-in swag, courtesy of the film's US distributor, Focus Features!

Now, I must stress that the competition is only open to US addressees – apologies to British readers of Existential Ennui (and to those elsewhere in the world), but I'm afraid it's out of my hands. (Perhaps I can rustle something up for Brits to mark the DVD release of Tinker Tailor... hint hint, Studiocanal...) However, two lucky American readers are in with a chance of winning the following incredible items: 

• A Movie Tie-in Book!

• A T-Shirt!

• A Voice Recorder Pen!

• A Post-it Note Cube!

That's a Movie Tie-in Book, a T-Shirt, a Voice Recorder Pen and a Post-it Note Cube each (prize value an unbelievable $43) for two US-based readers! Tremendously exciting stuff!

I'll explain how to enter in a moment, but before that, if you're not au fait with Tinker Tailor Soldier Spy the film, or indeed Tinker, Tailor, Soldier, Spy the novel, both star John le Carré's iconic spymaster George Smiley – played by Gary Oldman in the movie – who's brought out of retirement to hunt down a mole, or enemy agent, at the heart of British Intelligence (colloquially known as "The Circus"). It's a beautifully elegiac tale of betrayal on both a geopolitical and human scale, and Alfredson's film is an excellent adaptation of the source novel and an extraordinary piece of cinema in its own right. You can read my review of the movie – which hit British cinemas back in September 2011 – here, and my review of le Carré's original masterwork – and its BBC TV adaptation – here . And here is Mr. le Carré himself, shedding a little light on the creation of George Smiley, with additional insight from Gary Oldman and others:

Splendid. So then: to business. And to be in with a chance of winning the book, the T-shirt, etc., answer the following question:

John le Carré's novel Tinker, Tailor, Soldier, Spy is the first instalment in what's known as the Karla Trilogy, or Quest for Karla; name the second and third novels in the trilogy.

If you're a fan of le Carré or a regular reader of Existential Ennui, answering that shouldn't present too much of a problem, but if you're struggling for the answer, you could always enter "Karla Trilogy" in the search box at the top of EE's right-hand sidebar. But don't let on that I told you that. (Moscow rules, dear boy.)

Answers should be emailed to me at:

existentialennui@gmail.com

using the subject line "Tinker Tailor". Don't forget to include your full name and address, and which T-shirt size you'd prefer, and once again, let me just state for the record that the competition is only open to "the Cousins" – i.e. American addressees – so entries from elsewhere in the world will be automatically discounted. The competition closes on Thursday 12 January at midnight EST, with all entries going into a hat (or similar receptacle), from which will be chosen at random two winners. And I'll be announcing those two winners on Existential Ennui a week today, so at least for two people, Friday the 13th will be quite lucky. Best of British to all of you, though.

Next week, it's back to my series of posts on spy fiction series, with a British espionage series featuring a state executioner... and I'll also have that promised review of Donald E. Westlake's debut crime novel The Mercenaries...

Westlake Score: The Mercenaries by Donald E. Westlake; Signed Association British First Edition (T.V. Boardman, 1961), Denis McLoughlin Cover Art

(NB: a version of this post also appears on The Violent World of Parker blog.)

After Tuesday's teaser-preview post on forthcoming delights on Existential Ennui, let's open my 2012 Violent World of Parker cross-post account with a very special Westlake Score...

This is the UK hardback first edition of Donald E. Westlake's The Mercenaries, published by T.V. Boardman as part of their American Bloodhound Mystery line (no. 347 in that line, to be precise) in 1961 – the year following the US Random House first edition – and it is a very rare thing indeed. I've only ever seen a couple of copies of this edition for sale online, neither of them possessing a dustjacket; to give you an idea of how short the supply of the Boardman edition of The Mercenaries is, there are currently zero copies of the Boardman first on AbeBooks.

There are a couple of reasons for the book's scarcity. The most obvious is that The Mercenaries was Westlake's debut novel – at least under his own name; he'd had a number of pseudonymous sleaze efforts published by this point – and is therefore much in demand in first, US or UK. But the Boardman edition of The Mercenaries is additionally collectible for a whole other reason: Denis McLoughlin. McLoughlin was the art director at Boardman (not to mention an accomplished comics artist), producing around 600 covers for the publisher's crime novel list, and his work, with its bold use of chiaroscuro/restricted palette/occasional collage elements, is highly sought after – I posted a gallery of his Westlake covers in 2010 (now updated with The Mercenaries). So that, combined with it being Westlake's first novel, is probably why the Boardman first of The Mercenaries is so elusive.

My copy was a Christmas present from my sister, who I pestered into buying the only Boardman copy on AbeBooks, which was being offered for sale by Wessel & Lieberman Booksellers of Seattle. But I didn't covet it simply because it's the UK first edition (although that would surely be reason enough); there was something even more special about this particular copy:

It's signed and inscribed by Westlake on the front endpaper, and dated in the year of publication. And if we take a closer look at the inscription:

It reads:

Byrne Reginald Spencer Fone Esq.,

Within, an Anglo-American Traveler,

Without, an odd bodkin.

Don

Wessel & Lieberman were a little unsure as to whether the inscription was actually by Westlake, but I asked my sister to take a punt on the book anyway (thank you, Alison), and once I had it in my sweaty palms, I compared the dedication to other Westlake signed books I own (see here and here). And I'm as certain as I can be that the inscription is the genuine article.

But who was/is Byrne Reginald Spencer Fone (who's also signed the endpaper – or rather jotted an ownership name on it)? Well, Fone is – I believe he's still with us – also a writer. He's perhaps best known for penning a number of gay and lesbian studies – Homophobia: A History; A Road to Stonewall – as well as a string of literary studies and, most recently, a number of novels, including American Revolution, "a political crime novel about a gay American president", according to Amazon. As to Fone's connection to Westlake, though, I'm afraid I'm in the dark there. Fone did teach at New York University in the early 1960s, so it's possible he taught Westlake. Then again, they could simply have been friends and contemporaries; as ever, if anyone can shed any light, do leave a comment.

Westlake was evidently proud of The Mercenaries – he sent inscribed copies of both the UK and US editions to a number of his friends and associates – and justifiably so: it's a solid debut, and a convincing portrayal of New York's criminal underworld. Certainly Hard Case Crime thought highly enough of it to reissue it a few years back, retitled as The Cutie. So for my next Violent World of Parker cross-post, I'll be reviewing the novel – something Violent World of Parker proprietor Trent's already done, of course, but you never know: I might find a new angle or two.

Back here on Existential Ennui, however, it's competition time – at least, for my American readers. Because tomorrow Tomas Alfredson's excellent movie adaptation of John le Carré's Tinker, Tailor, Soldier, Spy goes on general release in the US:

And to tie in with that, in a first for Existential Ennui, I'll be giving away two sets of movie swag, courtesy of the film's distributor, Focus Features. So join me again on Friday for an exclusive Tinker Tailor Soldier Spy competition!

Existential Ennui in 2012: a Competition, a Facebook Page, and a List of Authors

Good Lord, look at that: it's 3 January already. How did that happen? Seems like only yesterday I was slumped on the sofa, staring blankly at the telly and thinking to myself, "I really must write that preview of 2012 I promised I'd post early in the new year"... Oh, wait: it was yesterday. Hurm. Well anyway: happy new year, chums. And what a year it promises to be: mayoral elections in London, presidential elections in the States, the Olympic Games in Britain, The Avengers and The Dark Knight Rises at the cinema, and, if the Mayans are to be believed, the end of the world on 21 December.

Here on Existential Ennui, however, it'll be pretty much business as usual... with a few twists. For one thing, come the end of the week, I'll be posting Existential Ennui's very first competition, offering American readers (and only Americans; sorry, Brits) the chance to win a bunch of Tinker Tailor Solider Spy movie swag, to tie in with the general release of the film in the US – hence that image of Gary Oldman as George Smiley at the top of this post. You can read my glowing review of the film right here, and don't you dare forget to check back in on Friday for the competition. (Er, if you live in America.)

For another thing, Existential Ennui now has a Facebook page. Quite what I'll be doing with it now I've set it up is something I'm still pondering, but it exists, so you may as well, y'know, go "like" it – if, that is, you do indeed like Existential Ennui; if you don't, I'm afraid there's no "unlike" option, so you'll just have to make do with not "liking" it. As soon as I work out a way to install the "like" button on Existential Ennui itself (as in, the blog) without it appearing as a massive, unattractive, ungainly box that cuts into my sidebar, I'll be doing that, too. (UPDATE: I have now done that. Huzzah.)

All of that aside, though, blogging will continue in much the same vein as usual. You might have noticed that I've changed the sub-header of EE to "Crime and spy fiction, SF, book collecting, comics"; I figured it was about time I stated slightly more clearly what this blog is all about, and those, unsurprisingly, are the areas I'll be concentrating on over the coming months, not least via my ongoing series on espionage series (a series which was, you'll recall, interrupted by my end-of-year round-up posts). That said, there will still be room for posts on other literary matters, whether it be non-fiction, lit-fic, publishing, or whatever else happens to take my fancy.

So which authors can you expect to encounter on Existential Ennui this year? Well, in no particular order, keep 'em peeled for, among others, Dan J. Marlowe, Michael Gilbert, Edward S. Aarons, Ross Thomas, Desmond Cory, Tom Clancy, Patricia Highsmith, Kingsley Amis, Brian Garfield, Graham Greene, Gregory Mcdonald, Len Deighton, Michael Dibdin, Jeremy Duns, Adam Hall, Andrew York, Michael Frayn, Mike Ripley, John le Carré, Tom Wolfe, Kim Philby, George Pelecanos, Peter Rabe, P. M. Hubbard, and, of course, our old friend, Donald E. "Richard Stark" Westlake. And it's to Westlake that we turn first, with a really quite remarkable Christmas present-cum-Westlake Score...

2011, a Review of the Year in Books and Comics, 3: the 10 Best Books I Read This Year

And so we reach the grand finale of my not-as-drawn-out-as-last-year's effort-but-still-quite-long-enough-thank-you end-of-year round-up – not to mention also, not entirely coincidentally, my final post for the year; hang out the bunting, begin the ticker-tape parade, etc., etc. And having presented a Bloody Great List of all the books I read in 2011, to round the year off I'm going to choose my ten favourite books from that list. I bet you literally cannot contain your excitement.

As I did last year, I've once again opted for a top ten this time out, rather than a top twenty, a decision which has necessitated some hard choices. I could have easily filled getting on for half of the top ten with Anthony Price novels alone, but for the sake of variety I've limited myself instead to just one appearance per author in the chart. Mind you, there were still a number of authors who didn't quite make the cut but whose work I enjoyed immensely in 2011, and therefore honourable mentions must go to Jeremy Duns (Free Agent), Adam Hall (The Berlin Memorandum), Graham Greene (The Quiet American), Michael Dibdin (Ratking), Donald Hamilton (Death of a Citizen) and Elmore Leonard (Pronto).

This being Existential Ennui and not, I dunno, Shots or The Rap Sheet or Books and Writers or something, it almost goes without saying that the majority of the books in the final ten are, by definition, "old", i.e. first published at least thirty years ago in most cases. But there are a couple of more recent novels in there too, and as I've stated more than once before, although the remainder may be getting on a bit, to me they're as fresh and exciting and surprising as anything published in 2011 – more so in most cases.

So which of the forty-eight books I read in 2011 made the top ten? Let's find out, shall we, by way of a visual guide, counting 'em down in reverse order, with links to whatever nonsense I wrote about each book (if indeed I have written anything yet). Drum roll, please!

10.

SS-GB (1978) by Len Deighton

9.

The Cut (2011) by George Pelecanos

8.

When Will There be Good News? (2008) by Kate Atkinson

7.

A Hive of Glass (1965) by P. M. Hubbard

6.

The Fools in Town are on Our Side (1970) by Ross Thomas

5.

Smiley's People (1979) by John le Carré

4.

Butcher's Moon (1974) by Richard Stark

3.

Undertow (1962) by Desmond Cory

2.

The Alamut Ambush (1971) by Anthony Price

1.

Operation Overkill (1962) by Dan J. Marlowe

Well, one or two surprises there, I feel, especially the books at numbers 3 and 1; suffice it to say that, although they haven't yet featured on Existential Ennui, Desmond Cory and Dan J. Marlowe will be making appearances on this blog very soon indeed. As for the rest, I don't have much to add to my original reviews, except in the cases of George Pelecanos's The Cut, where I haven't yet written a review – there'll be one in the new year – and Kate Atkinson's When Will There be Good News?, which I somehow neglected to review. So let me just quickly note that, while I love all four of Atkinson's Jackson Brodie novels, I think this one is my favourite, packing, as it does, a real emotional punch and featuring a completely unexpected central disaster. Utterly sublime.

And that's yer lot for 2011. Have a terrific New Year's Eve, and do join me again early in 2012, when I'll be posting a preview of forthcoming delights here on Existential Ennui...