It's not often that I devote a blog post to one of the books I've worked on in my day job as managing editor of illustrated books publisher Ilex Press, but when a book turns out as splendidly as this one has, and when I know that book might be of interest to my small and doubtless ever-dwindling readership, well... I think a post is justified:
This is the UK hardback first edition of Alan Moore: Storyteller, published this very week by The Ilex Press (published simultaneously in the US by Rizzoli), with a cover design concept by the incomparable Chip Kidd, and beautifully designed overall by the supremely talented Simon Goggin, overseen by Ilex Press' doyenne of art direction, Julie Weir. Written by comics aficionado, cartoonist (he created the comic book/graphic novel series Strangehaven), designer (he also penned Ilex's essential Comic Book Design) and friend of Alan Moore, Gary Spencer Millidge, it's an authorized, highly illustrated, 300-plus page biography of Moore's life and work.
It is, if I do say so myself – I edited the thing, with the able assistance of Ilex Press' unflappable senior editor, Ellie Wilson (and with the gently guiding voices of Ilex's Tim Pilcher, Roly Allen and Ilex publisher Alastair Campbell – no, not that Alastair Campbell – in the background) – a bloody amazing book. Not only are Gary's words revealing and insightful; not only does it boast copious quotes from Mr. Moore; not only does it feature such little-seen rarities as an unpublished V for Vendetta script, the legendary Big Numbers chart detailing all twelve issues of that never-completed series, a cornucopia of family snaps, notebook pages and sketches kindly provided by Mr. Moore himself, and lots more besides; but it also comes accompanied by a splendid CD, whereupon you'll find a selection of incredibly scarce songs and performances by Alan Moore and friends, all lovingly mastered by longtime Moore collaborator Gary Lloyd.
I'm not going to bang on at length about the book here on Existential Ennui; I posted a prolix, meandering, self-serving missive about it on the Ilex Press blog yesterday, in which I largely, as is my wont, talked about myself, so go read that if you have a day to spare. Instead I'll restrict myself here to noting that, like another Ilex volume I blogged about last year, The Art of Osamu Tezuka, God of Manga, I'm really rather proud of Alan Moore: Storyteller. Having been a huge fan of Alan Moore's work for getting on for three-quarters of my life, I can happily report this the hefty volume is everything I, and therefore by extension any self-respecting Moore fan, could possibly want in a book about Alan Moore.
Anyway. Do please go read my Ilex Press post on the book; despite my disparaging remarks above, I'm actually quite pleased with that essay (I may even steal it back and post it on here). And should you feel so inclined, you could, if you haven't already, glance at my other Ilex blog posts, such as this one on Richard Stark's The Hunter as featured in 500 Essential Cult Books; or this one on Sci-Fi Art: A Pocket History; or even this one on 500 Essential Cult Movies, featuring The Night of the Hunter. And then I'll meet you back here for the next post, for which I'll be staying on a comics tip in order to discuss deadpan Norwegian cartoonist Jason...